If
you read this blog you know I enjoy photography and the study of history. I am
passionate about taking the opportunity to combine those two interests when the
chance avails itself.
In
a development (forgive the photo humor) that is completely out of step with my
general personality, I like to experiment with both the camera and with the
resulting image. During my nine years as an instructor’s assistant at a
community college in California I helped students learn about black and white
film photography and, whether the students learned anything or not, it was an
amazingly educational experience for me. It was during this time that I first
began to experiment with my images.
I
have some examples here, accompanied by a description of what each set of images
contain.
OBJECTIVE: Using
my Photoshop program, render images from two Civil War battlefields from their
current appearance to something approaching their 1863 look. Then convert the
color images to black and white images that show the way photographers of the
era might have shot them.
TOOLS:
My trusty Nikon D90 (one image required a monopod) and Photoshop Elements 11.
TIP:
It helps to know what you are looking at from an historical perspective. I have
studied both battles.
This
first set of images is at Gettysburg on the northern end of the Wheatfield,
aimed south. Little Round Top is visible in the background. I had to do some
light Photoshop clone stamp work to rid the image of some monuments (which were
not there at the time of the battle) for the black and white version. The Wheatfield saw some awful fighting on
July 2, 1863. The 20-acre location changed hands, I believe, six times before
the Confederates finally gained possession. The inclusion of Little Round Top
is appropriate: After chasing the Federals from the Wheatfield, a group of
Southerners marched against the small hill, only to be pushed back to the
Wheatfield.
|
From the north end of the Wheatfield at Gettysburg. |
|
Same image, with some monuments. |
The
black and white image gives off a stronger statement, I feel, than the color
shot. Understand, they are different versions of the exact same image, but the B&W has a different feel.
The
second pair is also from Gettysburg, in the area where the cavalry units met on
July 3, 1863. The fighting in this area started with an ambush, so I ducked
behind some handy trees and collected this image of the Rummel Farm. It is a
working farm today, so I had to be sure the buildings do not look too modern
when I framed the image.
Here
the black and white image is actually an infra-red application. I like the way
this increases the contrast between the black of the leaves of the tree I am
behind with the lighter colors of the farm buildings and the grassy area
between the two.
Here
I like both images. The infra-red application makes a neat difference.
The
third collection comes from the site of the Battle of Chickamauga. Look at the
color image to see the monuments I removed before converting to black and
white. The tall monument is the South Carolina memorial, sitting on a portion
of the hill leading to Horseshoe Ridge. This was a terribly dangerous place to
be on July 20, 1863. The Confederates pushed up this hill most of the afternoon
before finally taking control around sundown.
Lesser
known than Little Round Top, this hill was the location of some grizzly
fighting. When I see this image, I think of the Confederates disappearing into
the trees on their way to the source of the bullets and cannon balls the Union
soldiers were shooting at them.
The color image was captured in the early spring with the colors are not dramatic.
Even
knowing then history, the color shot is not too exciting. But converting the
image to black and white changes my reaction. Does it do anything for you?
Finally,
one of my favorite markers at Gettysburg. I think the history explains itself.
The black and white image gives this marker a gritty feel. Every time I see it,
I think about the men who helped locate the spot and I assume they were
veterans of the fighting there. I wonder what they saw and heard, mentally, as
they determined the spot where the marker should be placed decades after the
war.
Full disclosure here: I burned in most of the lettering for the images of this marker. Age has made the marker difficult to read in a photograph.
You
will doubtlessly be able to find ways to experiment, photographically. It is my
hope that one of those experiments will be with a film camera loaded with a
roll of black and white. You’ll find that shooting with a film camera forces
you to generate better habits because you don’t have an endless supply of
images. Digital photography, with all of its technical advantages, makes for lazy photographers.
I
encourage you to visit Civil War battlefields and bring a camera. But do so
with at least a general understanding of what happened there. Visit with
enthusiasm, by all means. But walk with respect.
Thanks for reading.